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		<title>How did you watch your movie this past year?</title>
		<link>http://filmandmoviemaking.com/how-did-you-watch-your-movie-this-past-year/</link>
		<comments>http://filmandmoviemaking.com/how-did-you-watch-your-movie-this-past-year/#comments</comments>
		<pubDate>Wed, 22 Dec 2010 15:06:19 +0000</pubDate>
		<dc:creator>Stephen</dc:creator>
				<category><![CDATA[News & Updates]]></category>
		<category><![CDATA[avatar]]></category>
		<category><![CDATA[bittorrent]]></category>
		<category><![CDATA[torrentfreak]]></category>

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		<description><![CDATA[So how did you watch your movies in 2010? Did you go to the theater, buy the DVD or just download it for free? If you downloaded it, you're not alone.]]></description>
			<content:encoded><![CDATA[<p><a href="http://filmandmoviemaking.com/wp-content/uploads/2010/12/IMG_27932.jpg"><img src="http://filmandmoviemaking.com/wp-content/uploads/2010/12/IMG_27932.jpg" alt="" title="IMG_2793(2)" width="350" height="275" class="alignright size-full wp-image-1708" /></a></p>
<p>So how did you watch your movies in 2010? Did you go to the theater, buy the DVD, pay to download it to your iPad or just download it to your PC/MAC for free? If you downloaded it, you&#8217;re not alone.</p>
<p>This information is from <a href="http://torrentfreak.com/">Torrentfreak.com</a></p>
<p><strong>Most Downloaded Movies on BitTorrent, 2010</strong></p>
<p>This lists the movie, the number of downloads and the box office turnover</p>
<p>1	<strong>Avatar	         </strong>16,580,000 	$2,779,551,867<br />
2	<strong>Kick-Ass</strong>	         11,400,000	        $96,130,432<br />
3	<strong>Inception	         </strong>9,720,000	        $825,408,570<br />
4	<strong>Shutter Island</strong>	9,490,000	$294,803,014<br />
5	<strong>Iron Man 2</strong>	8,810,000	$621,751,988<br />
6	<strong>Clash of the Titans</strong>	8,040,000	$493,214,993<br />
7	<strong>Green Zone</strong>	7,730,000	$94,875,650<br />
8	<strong>Sherlock Holmes</strong>	7,160,000	$523,029,864<br />
9	<strong>The Hurt Locker</strong>	6,850,000	$48,612,915<br />
10	<strong>Salt	</strong>6,700,000	$175,190,850</p>
<p>Do you feel guilty downloading a movie knowing that the actors and the producer won&#8217;t get a penny from your actions: the distributors of the DVD won&#8217;t earn from you?</p>
<p>Or do you believe they earn too much already; prices at the Theatre and the DVD shop are too high; you&#8217;re being ripped off paying those prices? </p>
<p>Perhaps the movies didn&#8217;t come to a &#8216;cinema near you.&#8217; perhaps you don&#8217;t want to or can&#8217;t afford to get it second hand from Amazon.</p>
<p>Difficult decisions, difficult world. Those with the money can carry on making movies, but what about those who struggle to break even, yet we rely on them to bring us innovative movies? Should they add a donate button to their websites if you&#8217;ve downloaded for free? </p>
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		<title>Oscars™ 2010 winners</title>
		<link>http://filmandmoviemaking.com/oscars%e2%84%a2-2010-winners/</link>
		<comments>http://filmandmoviemaking.com/oscars%e2%84%a2-2010-winners/#comments</comments>
		<pubDate>Mon, 08 Mar 2010 15:52:51 +0000</pubDate>
		<dc:creator>Stephen</dc:creator>
				<category><![CDATA[News & Updates]]></category>
		<category><![CDATA[avatar]]></category>
		<category><![CDATA[hurt locker]]></category>
		<category><![CDATA[mark boal]]></category>

		<guid isPermaLink="false">http://filmandmoviemaking.com/?p=1351</guid>
		<description><![CDATA[If you agree with their choices you say they got it right, but if you disagree of course they’re wrong because the whole point about choosing winners and losers is about individual choice. The Academy makes their decision based on the overall views on a small number of industry people. Apart from a select few, [...]]]></description>
			<content:encoded><![CDATA[<p>If you agree with their choices you say they got it right, but if you disagree of course they’re wrong because the whole point about choosing winners and losers is about individual choice. The Academy makes their decision based on the overall views on a small number of industry people.</p>
<p>Apart from a select few, nobody really thought that Avatar was the movie of the year, nevertheless more people have gone to see that movie than any other in history with dollars itching to leave their hands.</p>
<p>It’s difficult to understand why the movie companies need to spend tens of millions promoting the movie just when it comes to the Academy Awards nominations. Surely, if they all sent a DVD copy of their movie to all the people on the panel then they could just leave it to the people to watch the movie and make their own decisions Quite simply those tens of millions could be spent encouraging new talents, particularly screenplay writers, to the industry or even make donations to worthy world courses which are crying out for help. What&#8217;s morally right?</p>
<p>Is easy to see that both screenplay winners wrote in a certain style, that of almost a documentary; you feel you may have been watching nonfiction, but you&#8217;d be wrong.</p>
<p>So here&#8217;s where the awards went, whether you have the same opinion or oppose, these are the people will have their little statues on display for their family to impress friends for years to come.</p>
<p>BEST ORIGINAL SCREENPLAY<br />
Winner: Mark Boal (The Hurt Locker)<br />
BEST ADAPTED SCREENPLAY<br />
Winner: Geoffrey Fletcher (Precious: Based on the Novel Push by Sapphire)<br />
BEST PICTURE<br />
Winner: The Hurt Locker<br />
BEST DIRECTOR<br />
Winner: Kathryn Bigelow (The Hurt Locker)<br />
BEST ACTOR<br />
Winner: Jeff Bridges (Crazy Heart)<br />
ACTRESS<br />
Winner: Sandra Bullock (The Blind Side)<br />
BEST SUPPORTING ACTOR<br />
Winner: Christoph Waltz (Inglourious Basterds)<br />
BEST SUPPORTING ACTRESS<br />
Winner: Mo&#8217;Nique (Precious)<br />
BEST FOREIGN LANGUAGE FILM<br />
The winner: El Secreto de Sus Ojos &#8211; The Secret in Their Eyes (Argentina)<br />
BEST ANIMATION<br />
Winner: Up<br />
BEST ADAPTED SCREENPLAY<br />
Winner: Geoffrey Fletcher (Precious: Based on the Novel Push by Sapphire)<br />
BEST ART DIRECTION<br />
Winner: Avatar<br />
BEST CINEMATOGRAPHY<br />
Winner: Avatar<br />
BEST SOUND MIXING<br />
The winner: The Hurt Locker<br />
BEST SOUND EDITING<br />
The winner: The Hurt Locker<br />
BEST ORIGINAL SONG<br />
Winner: The Weary Kind (theme from Crazy Heart) from Crazy Heart by Ryan Bingham, T Bone Burnett<br />
BEST ORIGINAL SCORE<br />
Winner: Up (Michael Giacchino)<br />
BEST COSTUMES<br />
Winner: The Young Victoria<br />
BEST DOCUMENTARY FEATURE<br />
The winner: The Cove<br />
BEST DOCUMENTARY SHORT<br />
Winner: Music by Prudence<br />
BEST FILM EDITING<br />
The winner: The Hurt Locker<br />
BEST MAKE-UP<br />
Winner: Star Trek<br />
BEST ANIMATED SHORT FILM<br />
Winner: Logorama<br />
BEST LIVE ACTION SHORT FILM<br />
Winner: The New Tenants<br />
BEST VISUAL EFFECTS<br />
Winner: Avatar</p>
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		<title>Academy Awards® 2010 nominations</title>
		<link>http://filmandmoviemaking.com/academy-awards%e2%84%a2-2009-nominations/</link>
		<comments>http://filmandmoviemaking.com/academy-awards%e2%84%a2-2009-nominations/#comments</comments>
		<pubDate>Wed, 03 Feb 2010 16:36:28 +0000</pubDate>
		<dc:creator>Stephen</dc:creator>
				<category><![CDATA[News & Updates]]></category>
		<category><![CDATA[Production]]></category>
		<category><![CDATA[Sales & Distribution]]></category>
		<category><![CDATA[academy awards]]></category>
		<category><![CDATA[avatar]]></category>
		<category><![CDATA[oscars]]></category>

		<guid isPermaLink="false">http://filmandmoviemaking.com/?p=1276</guid>
		<description><![CDATA[The nominees (from movies in 2009) are&#8230; Best Picture Avatar The Blind Side District 9 An Education The Hurt Locker Inglourous Basterds Precious A Serious Man Up Up In The Air Best Actor In A Leading Role Jeff Bridges &#8211; Crazy Heart George Clooney &#8211; Up In The Air Colin Firth &#8211; Single Man Morgan [...]]]></description>
			<content:encoded><![CDATA[<p>The nominees (from movies in 2009) are&#8230;</p>
<p><strong>Best Picture</strong><br />
Avatar<br />
The Blind Side<br />
District 9<br />
An Education<br />
The Hurt Locker<br />
Inglourous Basterds<br />
Precious<br />
A Serious Man<br />
Up<br />
Up In The Air</p>
<p><strong>Best Actor In A Leading Role</strong><br />
Jeff Bridges &#8211; Crazy Heart<br />
George Clooney &#8211; Up In The Air<br />
Colin Firth &#8211; Single Man<br />
Morgan Freeman &#8211; Invictus<br />
Jeremy Renner &#8211; The Hurt Locker</p>
<p><strong>Best Actress In A Leading Role</strong><br />
Sandra Bullock &#8211; The Blind Side<br />
Helen Mirren &#8211; The Last Station<br />
Carey Mulligan &#8211; An Education<br />
Gabourey Sibide &#8211;  Precious<br />
Meryl Streep &#8211; Julie and Julia</p>
<p><strong>Best Actor In A Supporting Role</strong><br />
Matt Damon &#8211; Invictus<br />
Woody Harrelson &#8211; The Messenger<br />
Christopher Plummer &#8211; The Last Station<br />
Stanley Tucci &#8211; The Lovely Bones<br />
Christoph Waltz &#8211; Inglorious Basterds</p>
<p><strong>Best Actress In A Supporting Role</strong><br />
Penelope Cruz &#8211; Nine<br />
Vera Farminga &#8211; Up In Air<br />
Maggie Gyllenhaal &#8211; Crazy Heart<br />
Anna Kendrick &#8211; Up In Air<br />
Mo&#8217;Nique &#8211; Precious</p>
<p><strong>Best Director</strong><br />
James Cameron &#8211; Avatar<br />
Kathyn Bigelow &#8211; The Hurt Locker<br />
Quentin Tarantino &#8211; Inglorious Basterds<br />
Lee Daniels &#8211; Precious<br />
Jason Reitman &#8211; Up In The Air</p>
<p><strong>Foreign Language Film</strong><br />
Ajami<br />
El Secreto de Sus Ojos<br />
The Milk of Sorrow<br />
Un Prophete<br />
The White Ribbon</p>
<p><strong>Best Original Screenplay</strong><br />
The Hurt Locker<br />
Inglourious Basterds<br />
The Messenger<br />
A Serious Man<br />
Up</p>
<p><strong>Best Adapted Screenplay</strong><br />
District 9<br />
An Education<br />
In The Loop<br />
Precious<br />
Up In The Air</p>
<p><strong>Best Animated Feature Film</strong><br />
Coraline<br />
Fantastic Mr Fox<br />
The Princess And The Frog<br />
The Secret Of Kells<br />
Up</p>
<p><strong>Art Direction</strong><br />
Avatar<br />
The Imaginarium of Doctor Parnassus<br />
Nine<br />
Sherlock Holmes<br />
The Young Victoria</p>
<p><strong>Cinematography</strong><br />
Avatar<br />
Harry Potter and the Half-Blood Prince<br />
The Hurt Locker<br />
Inglourious Basterds<br />
The White Ribbon</p>
<p><strong>Costume Design</strong><br />
Bright Star<br />
Coco Before Chanel<br />
The Imaginarium of Doctor Parnassus<br />
Nine<br />
The Young Victoria</p>
<p><strong>Documentary Feature</strong><br />
Burma VJ<br />
The Cove<br />
Food, Inc<br />
Which Way Home</p>
<p><strong>Documentary Short</strong><br />
China&#8217;s Unnatural Disaster: The Tears of Sichuan Province<br />
The Last Campaign of Governor Booth Gardner<br />
The Last Truck: Closing of GM Plant<br />
Music by Prudence<br />
Rabbit a la Berlin</p>
<p><strong>Film Editing</strong><br />
Avatar<br />
District 9<br />
The Hurt Locker<br />
Inglourious Basterds<br />
Precious</p>
<p><strong>Make-up</strong><br />
Il Divo<br />
Star Trek<br />
The Young Victoria</p>
<p><strong>Music (Original Score)</strong><br />
Avatar<br />
Fantastic Mr. Fox<br />
The Hurt Locker<br />
Sherlock Holmes<br />
Up</p>
<p><strong>Music (Original Song)</strong><br />
The Princess and the Frog<br />
Paris 36<br />
Nine<br />
Crazy Heart</p>
<p><strong>Sound Editing</strong><br />
Avatar<br />
The Hurt Locker<br />
Inglourious Basterds<br />
Star Trek<br />
Up</p>
<p><strong>Sound Mixing</strong><br />
Avatar<br />
The Hurt Locker<br />
Inglourious Basterds<br />
Star Trek<br />
Transformers: Revenge of the Fallen</p>
<p><strong>Visual Effects</strong><br />
Avatar<br />
District 9<br />
Star Trek</p>
<p><strong>Short film (Animated)</strong><br />
French Roast<br />
Granny O&#8217;Grimm&#8217;s Sleeping Beauty<br />
The Lady and the Reaper<br />
Logorama<br />
A Matter of Loaf and Death</p>
<p><strong>Short Film (Live Action)</strong><br />
The Door<br />
Instead of Abracadabra<br />
Kavi<br />
Miracle Fish<br />
The New Tenants</p>
<p>Oscar® winners to be revealed on Sunday, March 7, 2010.</p>
<p>Not all the best get nominated, but that&#8217;s why we can all have our own viewpoint. No doubt a large percentage of people will disagree with the winners, but that&#8217;s life as we know it.</p>
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		<title>Golden Globes awards 2010</title>
		<link>http://filmandmoviemaking.com/golden-globes-awards-2010/</link>
		<comments>http://filmandmoviemaking.com/golden-globes-awards-2010/#comments</comments>
		<pubDate>Mon, 18 Jan 2010 16:52:40 +0000</pubDate>
		<dc:creator>Stephen</dc:creator>
				<category><![CDATA[News & Updates]]></category>
		<category><![CDATA[avatar]]></category>
		<category><![CDATA[golden globes 2010]]></category>
		<category><![CDATA[james cameron]]></category>
		<category><![CDATA[jason reitman]]></category>
		<category><![CDATA[rickey gervais]]></category>
		<category><![CDATA[sandra bullock]]></category>
		<category><![CDATA[sheldon turner]]></category>

		<guid isPermaLink="false">http://filmandmoviemaking.com/?p=1148</guid>
		<description><![CDATA[Ricky Gervais brought a freshness and good humor as the host of this year’s first major awards ceremony. His jokes were excellent throughout although many commentators appear to have failed to see the funny side of his jokes; perhaps that explains why The Office (the American version) failed miserably in the US. The most important [...]]]></description>
			<content:encoded><![CDATA[<p>Ricky Gervais brought a freshness and good humor as the host of this year’s first major awards ceremony. His jokes were excellent throughout although many commentators appear to have failed to see the funny side of his jokes; perhaps that explains why <em>The Office </em>(the American version) failed miserably in the US.</p>
<p>The most important award of the night, the<strong> Best Screenplay</strong>, went to Jason Reitman and Sheldon Turner for their writing of Up in the Air. Clearly a very good screenplay, but still a surprise winner ahead of such master epics such as Jesse Armstrong, Simon Blackwell, Armando Iannucci &#038; Tony Roche – <em>In the Loop</em>, David Leslie Johnson – <em>Orphan</em>, Jamie Thraves – <em>Cry Of The Owl</em>, Larry Doyle – <em>I Love You Beth Cooper</em>, and James Cameron &#8211; <em>Avatar</em>.</p>
<p>James Cameron, known as Jim to his close friends which appeared to be everyone at the awards scored with both Best Director and Best Movie with his Avatar marathon. A part of his acceptance speech was made in Na&#8217;vi &#8211; the language spoken by the blue aliens of Avatar.</p>
<p>It was nice to see Sandra Bullock get her award for best Actress for The Blind Side. It makes a change to see her in a serious role, rather than her comic routines which are also highly watchable.</p>
<p>The list went:</p>
<blockquote><p>Best Actress in a Motion Picture (Comedy or Musical) &#8211; Meryl Streep for Julie &#038; Julia<br />
Best Actor in a Motion Picture (Comedy or Musical) &#8211; Robert Downey Jnr for Sherlock Holmes<br />
Best Actress in a Motion Picture (Drama) &#8211; Sandra Bullock for The Blind Side<br />
Best Actor in a Motion Picture (Drama) &#8211; Jeff Bridges for Crazy Heart<br />
Best Supporting Actress &#8211; Mo&#8217;nique for Precious<br />
Best Supporting Actor &#8211; Christoph Waltz for Inglourious Basterds<br />
Best Director &#8211; James Cameron for Avatar<br />
Cecile B DeMille award for lifetime achievement &#8211; Martin Scorsese<br />
Best Motion Picture (Comedy or Musical) &#8211; The Hangover<br />
Best Motion Picture (Drama) &#8211; Avatar<br />
Best Animated Film &#8211; Up<br />
Best Screenplay &#8211; Jason Reitman for Up In The Air<br />
Best Actress in a Mini-Series made for Television &#8211; Drew Barrymore for Grey Gardens<br />
Best Actor in a Mini-Series made for Television &#8211; Kevin Bacon for Taking a Chance<br />
Best Actress in a TV Show (Musical or Comedy) &#8211; Toni Collette for United States of Tara<br />
Best Actor in a TV Show (Musical or Comedy) &#8211; Alec Baldwin for 30 Rock<br />
Best Actor in a TV Show (Drama) &#8211; Michael C Hall for Dexter<br />
Best Actress in a TV Show (Drama) &#8211; Julianna Marguiles for The Good Wife<br />
Best Supporting Actor in a TV Mini Series- John Lithgow for Dexter<br />
Best Supporting Actress in a TV Mini Series -Chloe Sevigny for Big Love<br />
Best TV series (Drama) &#8211; Mad Men<br />
Best TV series (Comedy or Musical)  &#8211; Glee<br />
Best TV Mini-Series or Motion Picture Made For Television: Grey Gardens<br />
Best Song -The Weary Kind from Crazy Heart<br />
Best Original Score &#8211; Up<br />
Best Foreign Film &#8211; The White Ribbon
</p></blockquote>
<p>It doesn&#8217;t matter if your personal choices didn&#8217;t win; it&#8217;s all a matter of individual choice.</p>
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		<title>Award nominations for Movies: 2009</title>
		<link>http://filmandmoviemaking.com/award-nominations-for-movies-2009/</link>
		<comments>http://filmandmoviemaking.com/award-nominations-for-movies-2009/#comments</comments>
		<pubDate>Tue, 05 Jan 2010 14:23:17 +0000</pubDate>
		<dc:creator>Stephen</dc:creator>
				<category><![CDATA[News & Updates]]></category>
		<category><![CDATA[avatar]]></category>
		<category><![CDATA[famm awards]]></category>
		<category><![CDATA[star trek]]></category>

		<guid isPermaLink="false">http://filmandmoviemaking.com/?p=1038</guid>
		<description><![CDATA[Direct from the desk of www.FILMandMOVIEmaking.com, The FAMM nominations for 2009 are in and here they are: Drum roll please … Best film/movie: • In The Loop • Orphan • Invictus • Star Trek • Skin Best screenplay: • Jesse Armstrong, Simon Blackwell, Armando Iannucci &#38; Tony Roche – In the Loop • David Leslie [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://filmandmoviemaking.com/wp-content/uploads/2010/01/1102270258-3611-150x150.jpg" alt="1102270258-3611" title="1102270258-3611" width="150" height="150" class="alignright size-thumbnail wp-image-1047" />Direct from the desk of www.FILMandMOVIEmaking.com, The FAMM nominations for 2009 are in and here they are:</p>
<p>Drum roll please …</p>
<p><strong>Best film/movie:</strong></p>
<p>•	<a href="http://filmandmoviemaking.com/in-the-loop-2009-movie/">In The Loop</a><br />
•	<a href="http://filmandmoviemaking.com/orphan/">Orphan</a><br />
•	<a href="http://filmandmoviemaking.com/invictus-2009/">Invictus</a><br />
•	Star Trek<br />
•	Skin</p>
<p><strong>Best screenplay:</strong></p>
<p>•	Jesse Armstrong, Simon Blackwell, Armando Iannucci &amp; Tony Roche – <em><a href="http://filmandmoviemaking.com/in-the-loop-2009-movie/">In the Loop</a></em><br />
•	David Leslie Johnson – <em><a href="http://filmandmoviemaking.com/orphan/">Orphan</a></em><br />
•	Jamie Thraves – <em><a href="http://filmandmoviemaking.com/cry-of-the-owl-2009/">Cry Of The Owl</a></em><br />
•	Larry Doyle – <em><a href="http://filmandmoviemaking.com/i-love-you-beth-cooper-2009/">I Love You Beth Cooper</a></em><br />
•	James Cameron &#8211; <em><a href="http://filmandmoviemaking.com/avatar-2009/">Avatar</a></em></p>
<p><strong>Best actor:</strong></p>
<p>•	Peter Capaldi – <em><a href="http://filmandmoviemaking.com/in-the-loop-2009-movie/">In the Loop</a></em><br />
•	Gerard Butler &#8211; <em><a href="http://filmandmoviemaking.com/law-abiding-citizen-2009-movie/">Law Abiding Ciziten</a></em><br />
•	Colin Firth – <em>A Single Man</em><br />
•	Christian Bale – <em>Terminator Salvation</em><br />
•	Sharlto Copley &#8211; <em>District 9</em></p>
<p><strong>Best actress:</strong></p>
<p>•	Julie Stiles – <em><a href="http://filmandmoviemaking.com/cry-of-the-owl-2009/">Cry Of The Owl</a></em><br />
•	Sienna Miller &#8211; <em><a href="http://filmandmoviemaking.com/gi-joe-the-rise-of-cobra-2009/">G.I. Joe: The Rise of Cobra</a> </em><br />
•	Sophie Okonedo – <em>Skin</em><br />
•	Isabelle Fuhrman – <em><a href="http://filmandmoviemaking.com/orphan/">Orphan</a></em><br />
•	Sandra Bullock – <em><a href="http://filmandmoviemaking.com/proposal-2009/">Proposal</a></em></p>
<p><strong>Best musical:</strong></p>
<p>•	<a href="http://filmandmoviemaking.com/this-is-it-2009-movie/">This Is It </a><br />
•	Nine</p>
<p><strong>Best score/music:</strong></p>
<p>•	Hans Zimmer &#8211; <em><a href="http://filmandmoviemaking.com/sherlock-holmes-2009/">Sherlock Holmes</a></em><br />
•	Michael Jackson &amp; others -<em><a href="http://filmandmoviemaking.com/this-is-it-2009-movie/">This Is It </a></em><br />
•	Harald Kloser &amp; Thomas Wander -<em><a href="http://filmandmoviemaking.com/2012-movie-2009/">2012 </a></em><br />
•	James Horner – <em><a href="http://filmandmoviemaking.com/avatar-2009/">Avatar</a></em><br />
•	Michael Giacchino –<em> Star Trek</em></p>
<p><strong>Best director:</strong></p>
<p>•	James Cameron – <em><a href="http://filmandmoviemaking.com/avatar-2009/">Avatar</a></em><br />
•	Clint Eastwood – <em><a href="http://filmandmoviemaking.com/invictus-2009/">Invictus</a></em><br />
•	J. J. Abrams – <em>Star Trek</em><br />
•	Kenny Ortega – <em><a href="http://filmandmoviemaking.com/this-is-it-2009-movie/">This Is It</a></em><br />
•	Guy Ritchie –<em> Sherlock Holmes</em></p>
<p><strong>Best animation:</strong></p>
<p>•	Cloudy with a Chance of Meatballs<br />
•	Ice Age 3<br />
•	Fantastic Mr. Fox<br />
•	Monsters &amp; Aliens<br />
•	Up</p>
<p><strong>Special FAMM mention 2009:</strong></p>
<p>• There are no nominations for this award; it goes direct to the winner and we’ll tell you why!</p>
<p>The list shows you what a disappointing year 2009 was, for movies. There were some immense movies, there were some big performances both on screen and behind the scenes, some very good screenplays, but we failed to use the words ‘really great’ anywhere in 2009.</p>
<p>If you favorites aren’t mentioned, please leave a comment to say who you think should have been included and/or who you believe should win these prestigious awards. If your faves are not here, it means we were too busy writing screenplays and missed your movie choice!</p>
<p>The winners will be announced on January 20th, 2009.</p>
<div class="aizattos_related_posts"><span class="aizattos_related_posts_header" >Related Posts</span><ul><li><span class="aizattos_related_posts_title"><a href="http://filmandmoviemaking.com/famm-movie-awards-2008/" rel="bookmark" title="Permanent Link: FAMM movie awards 2008" >FAMM movie awards 2008</a></span><div class="aizattos_related_posts_excerpt">Award nominations for Movies: 2008

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4 stars****

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		<title>Avatar (2009)</title>
		<link>http://filmandmoviemaking.com/avatar-2009/</link>
		<comments>http://filmandmoviemaking.com/avatar-2009/#comments</comments>
		<pubDate>Thu, 31 Dec 2009 16:51:07 +0000</pubDate>
		<dc:creator>Stephen</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[avatar]]></category>
		<category><![CDATA[james cameron]]></category>
		<category><![CDATA[titanic]]></category>

		<guid isPermaLink="false">http://filmandmoviemaking.com/?p=1024</guid>
		<description><![CDATA[3 stars*** Did it match the hype? Well kind of yes and no. Yes, in the sense that the effects, CGI and anything including blue and green screens were wonderful, but no in the sense that the movie wasn’t seriously exciting and tended to plod along for large periods of time until the final battles. [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://filmandmoviemaking.com/wp-content/uploads/2009/12/avatar.jpg" alt="avatar" title="avatar" width="200" height="297" class="alignright size-full wp-image-1025" /><br />
3 stars***</p>
<p>Did it match the hype? Well kind of yes and no. Yes, in the sense that the effects, CGI and anything including blue and green screens were wonderful, but no in the sense that the movie wasn’t seriously exciting and tended to plod along for large periods of time until the final battles.</p>
<p>James Cameron has been trying to get this picture made for a decade. However, technology hadn’t moved along enough for it to match his vision, hence the delay. He’s written a deeply interesting screenplay which could only have been directed by the same person. A different director would have made a completely different movie. I wonder, having not seen the screenplay, how much of the final vision was in those first few pages and how much was lodged into the director’s mind?</p>
<p>Star Wars was a great movie originally and although it’s newism slowed down across six movies, it was way ahead of its time. Avatar was supposed to be ahead of its time but we were left underwhelmed at the CGI and special effects. Perhaps we’re too used to what they can do in the studio after the acting has finished, that we just take greatness for average expectations these days.</p>
<p>Obviously a budget of some $250 million plus another $150 million for marketing needs a substantial payback and with turnover of $750,000 to date, the break-even point has already been passed and that doesn’t count for merchandise sales over the festive period. </p>
<p>Our almost three hours run time was nearly in jeopardy at our showing; the film got stuck and burnt some frames with just five minutes remaining. So we spent a few minutes guessing which slushy ending would follow and weren’t surprised when we finally viewed the last few minutes minus those lost frames. Why Hollywood believes we all have to leave the cinema with beaming smiles after a war epic, I don’t know? We can take bad news, seriously. Most of the theatre ticket purchasers have brains and can work out what’s real and what’s fiction.</p>
<p>So the movie that’s a cross between Vietnam and the Waltons proved to be good entertainment; it just didn’t take us to that final level. No doubt Avatar 2 &#038; 3 will follow in time, something Mr Cameron didn’t try with his superb epic; Titanic. Something tells me he should stop here, but he won’t.</p>
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Best Picture
Avatar
The Blind Side
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