Sadly, this movie didn’t gain a large theatre release due to ‘problems’ with the distributor, possibly economical. That’s a real shame because this is a real film, not a shoot ‘em up big action, explosions movie. A real film has a great script, great crew and makes you think. A real movie gets you talking well after it’s finished. We’re still talking about it in our household.

This film is supposed to ‘parallel’ the case of Valerie Plame, a CIA agent exposed by the media after her husband wrote a newspaper piece attacking government lies and manipulation (they wouldn’t do that would they?)

How this differs is that the premise may be similar, but the actions and script bear no real resemblance to the original story; this version is totally fiction; it’s just the idea that is fact. I don’t know if we’re allowed to call Plame a former CIA spy, so we won’t.

The screenplay by Rod Lurie is a masterpiece; he also directed. He holds the suspension from the first minute right through to the last. Only when the twist/reveal is disclosed do we know why a mother of a six year old would spend a year in jail refusing to name her source.

Okay, we know journalists like to keep some sources private, there’s a need if you want to be trusted in the future, but do you need to lose your husband, your job, your family and your child just to prove a point? You spend the whole movie telling her just to give up her source. This brings the movie’s only fault. Now that you know (you will when you watch it!) the source of the information, why not reveal it because nothing terrible could come from it, apart from the journalist’s sources being open to question, or perhaps that’s her point all along.

The actors had plenty to say. Kate Beckinsale as the journalist who outed a CIA agent is astonishing in her role. There is total belief in her ability to keep her secret. Why didn‘t they just torture her? Whoops, I forgot, they don’t do that anymore.

You can’t begin to like Matt Dillon’s character. He doesn’t want you to. He’s the bad guy; the prosecutor. He’s only defending the government’s right to keep CIA agents safe from the enemy while working in the field, someone else’s field. He’s consistent to the point of getting his woman prosecuted, come what may.
Vera Farmiga plays the CIA agent who has to lose her job. Her department will cover their backs by losing her. She’s so nice in many scenes, but reverts to shocking back street language when provoked (no offence back streeters).

Alan Alda, David Schwimmer and Angela Bassett all perform to the highest of their talents as the back-up teams, although we do wonder which side of the fence they really are supporting.

There are several points to this movie (all for your movie club to discuss):

Should journalists be able to maintain secrecy and protect their ‘sources’ of information?

Can the media ‘out’ a working CIA agent (and risk her life)?

Can the government force a journalist to reveal their sources?

How long can someone be held in contempt of court?

How far do you need to take your integrity, especially when you become selfish as it affects your family?

Go rent this movie; it will make you think and you will be discussing it for hours afterwards.