Cinematic Lighting Techniques: Lighting the Environment and Setting the Scene by KAL VISUALS

Cinematic Lighting Techniques: Lighting the Environment and Setting the Scene by KAL VISUALS

Cinematic Lighting Techniques: Lighting the Environment and Setting the Scene is another great addition to this new series by Director Kyle A. Loftus aka KAL VISUALS. In this cinematic lighting video KAL VISUALS takes you on a journey to explore the importance of lighting your scene and creating an environment or world for your characters to exist within. KAL VISUALS discusses the importance of lighting the background on how it is nearly just as important if not more important than lighting your subject in the foreground. Director Kyle A. Loftus talks about how lighting an environment properly can add depth, create visual interest, improve the overall look and style of scene/film. Cinematic Lighting Techniques: Lighting the Environment and Setting the Scene takes an in-depth look at some of the best films in Hollywood and how they utilized lighting and specifically lighting a scene first and then the subjects second. This is one of the most under the thought of or least appreciated aspects of cinematography but is one of the biggest differentiators between a seasoned and professional cinematographer and vice versa. Don’t miss out on this thought-provoking and informative/educational tutorial on creating moving films with cinematic lighting. Cinematic Lighting Techniques: Lighting the Environment and Setting the Scene, a must watch for all levels of filmmakers.

GEAR USED IN THE MAKING OF THIS VIDEO:

• CANON EOS 5D MARK IV FULL FRAME DIGITAL SLR CAMERA WITH EF 24-105MM F/4L IS II USM LENS KIT:
• APURTURE LS 120D II 180W LED CONTINUOUS V-MOUNT VIDEO LIGHT:
• NEEWER 10FT C-STAND 100% METAL:
• TAMRON SP 24-70MM F/2.8 DI VC USD G2 LENS:
• Rode NTG2 Multi-Powered Condenser Shotgun Microphone:
• Small HD FOCUS 5 On-Camera Touchscreen:
• Neewer Portable 3 Section Handheld Microphone Boom Pole:
• NEEWER 2-PANEL LIGHT KIT BI-COLOR 660 LED:
• AFAITH PROFESSIONAL CAMERA TRIPOD & BALL HEAD:
• ZOOM H6 SIX-TRACK PORTABLE RECORDER BUNDLE:
• SANDISK EXTREME PRO 128GB SDXC UHS-I CARD:
• Tiffen 77mm Variable Neutral Density Filter 77VND for Camera lenses:

• OTHER FAVORITE GEAR I USE:

• CANON EF 16–35MM F/2.8L III USM LENS:
• CANON EF 100MM F/2.8L IS USM MACRO LENS:
• RODE VIDEOMIC PRO WITH SHOCKMOUNT:
• APUTURE AL-M9 AMARAN LED MINI LIGHT:
• DJI MAVIC PRO FLY MORE COMBO:
• DJI RONIN-S HANDHELD 3-AXIS GIMBAL STABILIZER:
• NEEWER PORTABLE SHOULDER MOUNT AND DUAL-HAND HANDGRIP:
• DAVIS & SANFORD TRIPOD WITH FM18 HEAD:

• LUT’S USED TO GRADE THIS FOOTAGE CAN BE FOUND AT:

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