Film And Movie Making https://filmandmoviemaking.com Wed, 22 Jan 2020 17:13:50 +0000 en-US hourly 1 https://wordpress.org/?v=5.2.5 Top VFX ( Visual Effects ) Institute in India | Mumbai Film Academy | Best Film Institute in India. https://filmandmoviemaking.com/top-vfx-visual-effects-institute-in-india-mumbai-film-academy-best-film-institute-in-india/ Wed, 22 Jan 2020 17:13:50 +0000 https://filmandmoviemaking.com/top-vfx-visual-effects-institute-in-india-mumbai-film-academy-best-film-institute-in-india/ MUMBAI FILM ACADEMY IS AMONG THE TOP BEST RANKING FILM SCHOOLS IN THE WORLD PROVIDING TOTAL FILM STUDY COURSES. Learn VFX at Mumbai Film Academy and get 100% Placement at the Studio for more details call us on 9867726767 / 9029436767 / 022-26355067 Visual effects or VFX is commonly is the term used to describe…

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MUMBAI FILM ACADEMY IS AMONG THE TOP BEST RANKING FILM SCHOOLS IN THE WORLD PROVIDING TOTAL FILM STUDY COURSES.
Learn VFX at Mumbai Film Academy and get 100% Placement at the Studio
for more details call us on 9867726767 / 9029436767 / 022-26355067

Visual effects or VFX is commonly is the term used to describe any image or visual designed, created, altered, or enhanced for a cinematic experience or other moving media which is not practical or economically viable while live-action shooting. Fully equipped professional-grade Chroma studio, Introduction to high-end Compositing & Interface, Project oriented curriculum that ensures that you have a high-quality demo-reel at the end of the course also International project working faculty. Visual effects involve the integration of live action footage (special effects) and generated imagery (digital or optical effects) to create environments, inanimate objects, animals or creatures which look realistic, but would be dangerous, expensive, impractical, time consuming or impossible to capture on film. Visual effects using computer-generated imagery (CGI) have recently become accessible to the independent filmmaker with the introduction of affordable and easy-to-use animation and compositing software. Visual effects are often integral to a movie’s story and appeal. Although most visual effects work is completed during post-production, it usually must be carefully planned and choreographed in pre-production and production. While special effects such as explosions and car chases are made on set, visual effects are primarily executed in post-production with the use of multiple tools and technologies such as graphic design, modeling, animation and similar software. A visual effects supervisor is usually involved with the production from an early stage to work closely with production and the film’s director design, guide and lead the teams required to achieve the desired effects.
#bollywoodvfx #bollywood #vfxbollywood #vfxbreakdownbollywood #vfx #behindthescnce #making #makingof #moviescence #vfxbreakdown #bollywoodtalk #bollywoodmedia

This Video is Only for Education Purpose to learn the VFX in Film making & Direction at Mumbai Film Academy.

VFX team has done a great job…. Mumbai Film Academy is Proud to the Indian Film Industry, Indian Production House & Film Studios.

All Companies Include In This Video All Credit Goes To Respected Owners ——————————————————————————————————————————————————————————————————————————– I do not own any of the video. Copyright to their rightful owner. “Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

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cinematography |tips and tricks /in kannada{4K }rule of thirds /180 degree rule,triangle rule https://filmandmoviemaking.com/cinematography-tips-and-tricks-in-kannada4k-rule-of-thirds-180-degree-ruletriangle-rule/ Wed, 22 Jan 2020 16:14:34 +0000 https://filmandmoviemaking.com/cinematography-tips-and-tricks-in-kannada4k-rule-of-thirds-180-degree-ruletriangle-rule/ In this video explained about cinematography tips and tricks like camera angle and camera movements Rule of thirds 180 degree Triangle principle Camera positions PLEASE WATCH ALL VIDEOS ABOUT FILM MAKING IN KANNADA AND SUBSCRIBE PLEASE TO MY CHANNEL what is cinematography - cinematography as “the art or technique of motion-picture photography.” ... The director,…

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In this video explained about cinematography tips and tricks like
camera angle and camera movements
Rule of thirds
180 degree
Triangle principle
Camera positions

PLEASE WATCH ALL VIDEOS ABOUT FILM MAKING IN KANNADA
AND
SUBSCRIBE PLEASE TO MY CHANNEL

what is cinematography –

cinematography as “the art or technique of motion-picture photography.” … The director, being the chief creative person for a movie, is in charge of the cinematography with the director of photography or the cinematographer being in charge of the actual camera, lighting, and electrical crews.

Role of thirds –

The rule of thirds is a “rule of thumb” or guideline which applies to the process of composing visual images such as designs, films, paintings, and photographs.

The rule of thirds is applied by aligning a subject with the guide lines and their intersection points, placing the horizon on the top or bottom line, or allowing linear features in the image to flow from section to section.

USES

The rule of thirds is applied by aligning a subject with the guide lines and their intersection points, placing the horizon on the top or bottom line, or allowing linear features in the image to flow from section to section. The main reason for observing the rule of thirds is to discourage placement of the subject at the center, or prevent a horizon from appearing to divide the picture in half. Michael Ryan and Melissa Lenos, authors of the book An Introduction to Film Analysis: Technique and Meaning in Narrative Film state that the use of rule of thirds is “favored by cinematographers in their effort to design balanced and unified images

When filming or photographing people, it is common to line the body up to a vertical line and the person’s eyes to a horizontal line. If filming a moving subject, the same pattern is often followed, with the majority of the extra room being in front of the person the way they are moving.Likewise, when photographing a still subject who is not directly facing the camera, the majority of the extra room should be in front of the subject with the vertical line running through their perceived center of mass

180 degree rule

In film making, the 180 degree rule is a basic guideline regarding the on screen spatial relationship between a character and another character or object within a scene. By keeping the camera on one side of an imaginary axis between two characters, the first character is always frame right of the second character

Crossing line

Moving the camera over the axis is called jumping the line or crossing the line
breaking the 180-degree rule by shooting on all sides is known as shooting in round

In a dialogue scene between two characters, a straight line can be imagined running between the two characters, and extending to infinity. If the camera remains on one side of this line, the spatial relationship between the two characters will be consistent from shot to shot, even if one of the characters is not on screen. Shifting to the other side of the characters on a cut will reverse the order of the characters from left to right and may disorient the audience.
The rule also applies to the movement of a character as the “line” created by the path of the character. For example, if a character is walking in a leftward direction and is to be picked up by another camera, the character must exit the first shot on frame left and enter the next shot frame right.

Another example could be a car chase: If a vehicle leaves the right side of the frame in one shot, it should enter from the left side of the frame in the next shot. Leaving from the right and entering from the right creates a similar sense of disorientation as in the dialogue example

The triangle principle –

First application of 180 degree rule.It is used to cover two characters/player on the same scene placed on the same side of the line of interest.
Camera will be place of triangle position in this rule
How it works
Once camera covers character A and another character B
Master shot take with both character within in one shot

Basic camera positions

External reverse angle

Internal reverse angle

Parallel positions

Right angle

Common visible axis

And extra combination of external reverse angle,internal reverse angle with parallel positions.

LINKS –

Camera angle and movements

Best mic for you

Editing Software

How to use green screen

Short film

How to make short films tips and idea

Motivation short film

DSLR camera settings for cinematic video

Film direction /filmmaking tips

How to write script for beginner

#cinematography
#ruleofthirds
#ruleof180degree

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TUTORIAL: DIY Reflectors https://filmandmoviemaking.com/tutorial-diy-reflectors/ Wed, 22 Jan 2020 16:14:27 +0000 https://filmandmoviemaking.com/tutorial-diy-reflectors/ For around $15 you can make yourself a set of professional reflectors. It's seriously as easy as grabbing an insulation panel, a box cutter, and some gaffers tape (but obviously I recommend you watch the whole tutorial!). These inexpensive and ridiculously versatile and practical reflectors are one of my favorite pieces of gear, and at…

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For around $15 you can make yourself a set of professional reflectors. It’s seriously as easy as grabbing an insulation panel, a box cutter, and some gaffers tape (but obviously I recommend you watch the whole tutorial!). These inexpensive and ridiculously versatile and practical reflectors are one of my favorite pieces of gear, and at least one goes with me on every single shoot. I’ve seen these things used on small indie films, commercials of all kinds, and even big budget productions – they’re cheap, they’re easy to make and use, and they’re a truly effective way to bounce light and I honestly think everyone should have a few in their toolkit.

I first saw these reflectors on a film set several years ago, and after inquiring about them realized how easy they would be to make myself – so the next day I went out and made myself a set. I’ve bought tons of these insulation panels since then and made them into reflectors of all sorts of shapes and sizes (I even cut one down to use inside a locker for a project that we filmed at a school and needed some bounce/fill from the direction of the locker). With a thumbtack and some string you could ever make circular ones if you wanted. Seriously, do yourself a favor and make some of these, you won’t regret it.

And in case you didn’t notice, during filming my wonderful furry kiddos were very involved and interested in being on-camera – see how many times you can spot them in the background!

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Sexo limpio | Clean sex Dir. Ma. Conchita Díaz :: https://filmandmoviemaking.com/sexo-limpio-clean-sex-dir-ma-conchita-diaz/ Wed, 22 Jan 2020 15:14:55 +0000 https://filmandmoviemaking.com/sexo-limpio-clean-sex-dir-ma-conchita-diaz/ Watch more short films on our channel playlist: complete short films Dirección / Director: María Conchita Díaz Productor Ejecutivo / Executive Producer: Abril López, Ariana Landín Guión / Screenplay: Dariela Pérez, María Conchita Díaz Fotografía / Cinematography: Camilo Moncada Edición / Editing: Arturo Rodríguez, María Conchita Díaz Diseño de Sonido / Sound Design: Carlos Aguilar,…

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Watch more short films on our channel playlist: complete short films
Dirección / Director: María Conchita Díaz
Productor Ejecutivo / Executive Producer: Abril López, Ariana Landín
Guión / Screenplay: Dariela Pérez, María Conchita Díaz
Fotografía / Cinematography: Camilo Moncada
Edición / Editing: Arturo Rodríguez, María Conchita Díaz
Diseño de Sonido / Sound Design: Carlos Aguilar, Juan Francisco Hernández
Sonido / Sound: Percival Argüero
Diseño de Arte / Art Design: Edgar Rodríguez
Diseño de Vestuario / Costume Design: Andrea de Luna, Daniela García
Compañía productoras / Production Companies: Centro de Capacitación Cinematográfica, A.C.
Reparto / Cast: Cosette Borges, Terek Becerril
Mariana, una obsesiva de la limpieza inicia una relación conflictiva con Enrique. Deberá aceptar que el sexo es un acto sucio e impulsivo

Mariana has an obsessive cleaning habit. After starting a troubled relationship with Enrique. She must accept that sex is dirty and impulsive.

Festivales y Premios / Festivals and Awards

Festival Internacional de Cine de Guanajuato, México, Jul. 2015
World Film Festival Montreal, Canadá, Ago. 2015
Tirana International Film Festival, Albania, Nov. 2015
Houston Latino Film Festival, EUA, Mar.
San Diego Latino Film Festival, EUA, Mar. 2016
Flicks International Student Short Film Festival, Holanda, Abr. 2016
Lakino Latin American Short Film Festival, Alemania, Abr. 2016
Festival de Cortometrajes de Pachuca, México, Jul. 2016
24 Risas X Segundo, México, Jul. 2016
Indy Film Fest, EUA, Jul. 2016
MIC Género, México, Ago. 2016
Shorts México, Sept. 2016
Festival Ícaro Guatemala, Oct. 2016
International Film Festival Etiuda & Anima, Polonia, Nov. 2016
Festival Interamericano de Cinema Universitario Lumiar, Brasil, Nov. 2016
Interfilm Berlin International Short Film Festival, Alemania, Nov. 2016
GRAND OFF Short Independent Film Awards, Polonia, Dic. 2016

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Spenser Confidential – Mark Wahlberg | Official Trailer | Netflix Film https://filmandmoviemaking.com/spenser-confidential-mark-wahlberg-official-trailer-netflix-film/ Wed, 22 Jan 2020 15:14:36 +0000 https://filmandmoviemaking.com/spenser-confidential-mark-wahlberg-official-trailer-netflix-film/ When two Boston Police officers are murdered, ex-cop Spenser (Mark Wahlberg) teams up with his no-nonsense roommate, Hawk (Winston Duke), to take down criminals in this action-comedy. Spenser (Mark Wahlberg) — an ex-cop better known for making trouble than solving it — just got out of prison and is leaving Boston for good. But first…

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When two Boston Police officers are murdered, ex-cop Spenser (Mark Wahlberg) teams up with his no-nonsense roommate, Hawk (Winston Duke), to take down criminals in this action-comedy.

Spenser (Mark Wahlberg) — an ex-cop better known for making trouble than solving it — just got out of prison and is leaving Boston for good. But first he gets roped into helping his old boxing coach and mentor, Henry (Alan Arkin), with a promising amateur. That’s Hawk (Winston Duke), a brash, no-nonsense MMA fighter convinced he’ll be a tougher opponent than Spenser ever was. When two of Spenser’s former colleagues turn up murdered, he recruits Hawk and his foul-mouthed ex-girlfriend, Cissy (Iliza Shlesinger), to help him investigate and bring the culprits to justice. From director Peter Berg, SPENSER CONFIDENTIAL is an action-comedy co-starring Bokeem Woodbine, Marc Maron, and Post Malone. Inspired by Robert B. Parker’s Wonderland, a best-selling novel by Ace Atkins.

Watch Spenser Confidential on Netflix:

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About Netflix:
Netflix is the world’s leading streaming entertainment service with over 158 million paid memberships in over 190 countries enjoying TV series, documentaries and feature films across a wide variety of genres and languages. Members can watch as much as they want, anytime, anywhere, on any internet-connected screen. Members can play, pause and resume watching, all without commercials or commitments.

Spenser Confidential – Mark Wahlberg | Official Trailer | Netflix Film

Just out of prison and investigating a twisted murder, Spenser is sucked back into Boston’s underbelly. Based on the popular books; Mark Wahlberg stars.

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Storytelling: How to keep your audience engaged | Sebastian Junger | Big Think https://filmandmoviemaking.com/storytelling-how-to-keep-your-audience-engaged-sebastian-junger-big-think/ Wed, 22 Jan 2020 13:18:35 +0000 https://filmandmoviemaking.com/storytelling-how-to-keep-your-audience-engaged-sebastian-junger-big-think/ Storytelling: How to keep your audience engaged New videos DAILY: Join Big Think Edge for exclusive videos: ---------------------------------------------------------------------------------- The most important part of being a writer is feeling that you're not important and that the work you're doing is not about you. "A journalist is someone who is willing to disappoint themselves with the truth."…

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Storytelling: How to keep your audience engaged
New videos DAILY:
Join Big Think Edge for exclusive videos:
———————————————————————————-
The most important part of being a writer is feeling that you’re not important and that the work you’re doing is not about you.

“A journalist is someone who is willing to disappoint themselves with the truth.”

Every piece of journalism has a narrative arc, and that arc is integral to any human storytelling.
———————————————————————————-
SEBASTIAN JUNGER

Sebastian Junger is the #1 New York Times Bestselling author of THE PERFECT STORM, FIRE, A DEATH IN BELMONT, WAR and TRIBE. As an award-winning journalist, a contributing editor to Vanity Fair and a special correspondent at ABC News, he has covered major international news stories around the world, and has received both a National Magazine Award and a Peabody Award. Junger is also a documentary filmmaker whose debut film “Restrepo”, a feature-length documentary (co-directed with Tim Hetherington), was nominated for an Academy Award and won the Grand Jury Prize at Sundance.

Purchase “Tribe: On Homecoming & Belonging by Sebastian Junger” here:
———————————————————————————-
TRANSCRIPT: So I’m a journalist. I’ve been a journalist my whole life. And that means that when you write something the first step is to gather information about it. And you start gathering information because you have an idea about how the world works and you want to pursue that idea and see if, in fact, that’s true. The first thing that you have to do is be prepared to give up that idea and understand the world in a different way that you hadn’t anticipated. Someone once asked me what the definition of a journalist is and the best I could come up with but I think it’s a pretty good definition is a journalist is someone who’s willing to disappoint themselves with the truth. So you gather your information and you gather your stacks of studies and research and transcripts of interviews you’ve done. You’ve talked to everyone you can think of. And then you start to organize it in your mind.

You start to map out this world that you’ve researched in a way that has a kind of internal coherence. And not only an internal coherence but a kind of narrative trajectory. Every piece of journalism has a narrative arc. The narrative arc is integral to any human storytelling. It’s been around surely since the Stone Age, since the invention of language. You have to make use of that in telling a long form journalistic story or people just won’t stay with you. Then once I have all of that together I ignore everything. I choose the scene that I’m opening my book or my story with. It’s got to be a compelling scene. It’s got to be a scene that I can’t wait to describe because it’s so intense. It’s so amazing. Like I can’t wait to get my hands on it and put words to it. If you don’t feel that way about the scene that you’re writing people aren’t going to feel that way about reading it. And then they’re not going to finish your book.

And I just sit with that scene and it may be something I experienced personally or it may be something that I reported on and found out about that happened to other people. And I sit with that and I try to describe it in sort of – I try to think like a cinematographer. I basically say to myself if this were the opening of a movie what would the camera be looking at? What would the camera be lingering on? What would it pan to? Where would it zoom in? What would we want to see on the screen? And then I’m off and running and then you start to put in the more hard core research and then you never want to be in that hard core research place for too many pages because you’ll lose people and then you have to cut out to another scene that tells a kind of human story and you just keep toggling back and forth between sort of making people eat their spinach as it were. Take in this information that they need to know but maybe it’s a little tough going. You toggle back and forth between that and the sort of human stories that are amazing but if they’re not supported by evidence and by data and information they lose their credibility. You just keep toggling back and forth hoping to get the right mix and hoping to keep people with you until the very end of the book.

Writing is such a – it’s like religion or something. It’s such a big sprawling complex weird topic that it’s hard to come up with rules about it. It’s hard to give advice. It’s like marriage advice or something like what works in one marriage doesn’t necessarily work in another.

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Scarlett Johansson: Red Carpet Interview | 26th Annual SAG Awards | TNT https://filmandmoviemaking.com/scarlett-johansson-red-carpet-interview-26th-annual-sag-awards-tnt/ Wed, 22 Jan 2020 11:14:21 +0000 https://filmandmoviemaking.com/scarlett-johansson-red-carpet-interview-26th-annual-sag-awards-tnt/ Scarlett Johansson shines on the 26th Annual SAG Awards Red Carpet! #TNT #SAGAwards #ScarlettJohansson SUBSCRIBE: Download the TNT App: About the Annual SAG Awards: Lauded by critics for its style, simplicity and genuine warmth, the Screen Actors Guild Awards ® presented by SAG-AFTRA, which made its debut in 1995, has become one of the industry’s…

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Scarlett Johansson shines on the 26th Annual SAG Awards Red Carpet!

#TNT #SAGAwards #ScarlettJohansson

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Download the TNT App:

About the Annual SAG Awards:
Lauded by critics for its style, simplicity and genuine warmth, the Screen Actors Guild Awards ® presented by SAG-AFTRA, which made its debut in 1995, has become one of the industry’s most prized honors. The only televised awards shows to exclusively honor performers, it presents thirteen awards for acting in film and television in a fast moving two hour show which airs live on TNT and TBS. The awards focus on both individual performances as well as on the work of the entire ensemble of a drama series and comedy series, and the cast of a motion picture. These honors are fundamental to the spirit of the Screen Actors Guild Awards ® because they recognize what all actors know – that acting is a collaborative art.

About TNT:
TNT is basic cable’s #1 network in primetime with young adults and is home to one of cable’s most popular slates of original series, including The Alienist, Animal Kingdom, Claws, and the upcoming I Am the Night and Snowpiercer. TNT also presents popular shows such as Arrow, Supernatural, Bones and Castle; primetime specials, such as the Screen Actors Guild Awards® and the iHeartRadio Music Awards; and championship sports coverage, including the NBA and the NCAA Division I Men’s Basketball Championship.

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Scarlett Johansson: Red Carpet Interview | 26th Annual SAG Awards | TNT

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It’s Fish Day: Preparing native Russian fish on the shore of Lake Ladoga – Taste of Russia Ep. 18 https://filmandmoviemaking.com/its-fish-day-preparing-native-russian-fish-on-the-shore-of-lake-ladoga-taste-of-russia-ep-18/ Wed, 22 Jan 2020 11:13:55 +0000 https://filmandmoviemaking.com/its-fish-day-preparing-native-russian-fish-on-the-shore-of-lake-ladoga-taste-of-russia-ep-18/ More films about food and cooking: Though Russia is largely a landlocked country, it is replete with rivers and lakes, so fish is extremely popular. In Soviet days, Thursday was even recognised as ‘fish day’. Oscar and Glen go to a settlement south of Peterhof where fish breeding has been practiced in Russia for centuries.…

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More films about food and cooking:
Though Russia is largely a landlocked country, it is replete with rivers and lakes, so fish is extremely popular. In Soviet days, Thursday was even recognised as ‘fish day’. Oscar and Glen go to a settlement south of Peterhof where fish breeding has been practiced in Russia for centuries.

Peter the Great built a spa and organised fish breeding in the hamlet of Ropsha in the 18th century. Today, it is the home of Russia’s premiere fish breeding centre, the Centre of Fish Farming Genetics, which has developed two of its own breeds of trout: rofor and rostal. After touring the facility, Oscar and Glen decide to try their hands at fishing themselves – but buy some first, just in case.

And where better to fish than Europe’s largest lake northeast of St. Petersburg. Lake Ladoga holds special historic significance for Russia. During WWII, its famous Osinovetsky Lighthouse guided supply trucks across the ice-bound lake to Leningrad, as St. Petersburg was called then. This ‘road of life’ saved the city’s residents from complete starvation during the Nazi’s 872-day siege.

After their fishing expedition, the gastronauts return to shore and learn a couple of methods to cook fish in the great outdoors. They prepare palia, a fish native only to Lake Ladoga, in a smoker. Then Glen scales and cleans two white fish right in the lake, and Oscar wraps them in foil with herbs and throws them on the grill. Though Glen is from Miami, he admits that he isn’t really a fish person. Will he like these?

To find out, check out Taste of Russia, Episode 18 on RTD.

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2020 Oscar Reactions, Nominations & Predictions | IDK Revi https://filmandmoviemaking.com/2020-oscar-reactions-nominations-predictions-idk-revi/ Wed, 22 Jan 2020 09:14:18 +0000 https://filmandmoviemaking.com/2020-oscar-reactions-nominations-predictions-idk-revi/ The nominations for the 2020 Oscar's have been released. There were many surprises, plenty of familiar faces and lots of drama. In this video, I break down each nomination and provide my thoughts on who will win the coveted Academy Award. List below BEST PICTURE "Ford v Ferrari" "The Irishman" "Jojo Rabbit" "Joker" "Little Women"…

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The nominations for the 2020 Oscar’s have been released. There were many surprises, plenty of familiar faces and lots of drama.
In this video, I break down each nomination and provide my thoughts on who will win the coveted Academy Award. List below

BEST PICTURE
“Ford v Ferrari”
“The Irishman”
“Jojo Rabbit”
“Joker”
“Little Women”
“Once Upon a Time…in Hollywood”
“Marriage Story”
“Parasite”
“1917”

ACTRESS IN A SUPPORTING ROLE
Kathy Bates, “Richard Jewell”
Laura Dern, “Marriage Story”
Scarlett Johansson, “Jojo Rabbit”
Florence Pugh, “Little Women”
Margot Robbie, “Bombshell”

ACTOR IN A SUPPORTING ROLE
Tom Hanks, “A Beautiful Day in the Neighborhood”
Anthony Hopkins, “The Two Popes”
Al Pacino, “The Irishman”
Joe Pesci, “The Irishman”
Brad Pitt, “Once Upon a Time…in Hollywood”

FOREIGN LANGUAGE FILM
South Korea, “Parasite”
Spain, “Pain and Glory”
France, “Les Misérables”
North Macedonia, “Honeyland”
Poland, “Corpus Christi”

DOCUMENTARY (SHORT)
“In the Absence”
“Learning to Skateboard in a Warzone (If You’re a Girl)”
“Life Overtakes Me”
“St. Louis Superman”
“Walk Run Cha-Cha”

DOCUMENTARY FEATURE
“American Factory”
“The Edge of Democracy”
“Honeyland”
“For Sama”
“The Cave”

ORIGINAL SONG
“I’m Standing With You,” “Breakthrough”
“Into the Unknown,” “Frozen II”

“Stand Up,” “Harriet”
“(I’m Gonna) Love Me Again,” “Rocketman”
“I Can’t Let You Throw Yourself Away,” “Toy Story 4”

ANIMATED FEATURE FILM
“How to Train Your Dragon: The Hidden World”
“I Lost My Body”
“Klaus”
“Missing Link”
“Toy Story 4”

ADAPTED SCREENPLAY
“The Irishman”
“Jojo Rabbit”
“Little Women”
“The Two Popes”
“Joker”

ORIGINAL SCREENPLAY
“Marriage Story”
“Once Upon a Time in Hollywood”
“Parasite”
“Knives Out”
“1917”

ACTOR IN A LEADING ROLE
Antonio Banderas, “Pain and Glory”
Leonardo DiCaprio, “Once Upon a Time…in Hollywood”
Adam Driver, “Marriage Story”
Joaquin Phoenix, “Joker”
Jonathan Pryce, “The Two Popes”

ACTRESS IN A LEADING ROLE
Cynthia Erivo, “Harriet”
Scarlett Johansson, “Marriage Story”
Saoirse Ronan, “Little Women”
Renée Zellweger, “Judy”
Charlize Theron, “Bombshell”

DIRECTOR
Martin Scorsese, “The Irishman”
Quentin Tarantino, “Once Upon a Time in Hollywood”
Bong Joon-ho, “Parasite”
Sam Mendes, “1917”
Todd Phillips, “Joker”

PRODUCTION DESIGN
“Once Upon a Time in Hollywood”
“The Irishman”
“1917”
“Jojo Rabbit”
“Parasite”
CINEMATOGRAPHY
“1917”
“Once Upon a Time in Hollywood”
“The Irishman”
“Joker”
“The Lighthouse”
COSTUME DESIGN
“Once Upon a Time… in Hollywood”
“Little Women”
“The Irishman”
“Jojo Rabbit”
“Joker”
SOUND EDITING
“1917”
“Ford v Ferrari”
“Star Wars: The Rise of Skywalker”
“Once Upon a Time… in Hollywood”
“Joker”
SOUND MIXING
“1917”
“Ford v Ferrari”
“Once Upon a Time… in Hollywood”
“Ad Astra”
“Joker”
ANIMATED SHORT FILM
“Dcera (Daughter)”
“Hair Love”
“Kitbull”
“Memorable”
“Sister”
LIVE ACTION SHORT FILM
“Brotherhood”
“Nefta Football Club”
“The Neighbors’ Window”
“Saria”
“A Sister”
ORIGINAL SCORE
“1917,” Thomas Newman
“Joker,” Hildur Guðnadóttir
“Little Women,” Alexandre Desplat
“Marriage Story,” Randy Newman
“Star Wars: The Rise of Skywalker,” John Williams
VISUAL EFFECTS
“Avengers: Endgame”
“The Lion King”
“Star Wars: The Rise of Skywalker”
“The Irishman”
“1917”
FILM EDITING
“The Irishman”
“Ford v Ferrari”
“Parasite”
“Joker”
“Jojo Rabbit”
MAKEUP AND HAIRSTYLING
“Bombshell”
“Joker”
“Judy”
“Maleficent: Mistress of Evil”
“1917”
#OscarsNominations #Movies #AcademyAwards

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Filmmaking Tip | The TILT Shot https://filmandmoviemaking.com/filmmaking-tip-the-tilt-shot/ Wed, 22 Jan 2020 02:14:05 +0000 https://filmandmoviemaking.com/filmmaking-tip-the-tilt-shot/ Filmmaking Tip | The TILT Shot Filmed on my Canon EOS M 18-55mm lens More quick tip on firework app Camera and Lens used. Canon EOS M Compact System Camera - Body Only (Silver) Canon EF-M 18-55mm f3.5-5.6 Image Stabilization STM Compact System Lens Rode VideoMicro Compact On-Camera Microphone with Rycote Lyre Shock Mount Viltrox…

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Filmmaking Tip | The TILT Shot
Filmed on my Canon EOS M 18-55mm lens
More quick tip on firework app

Camera and Lens used.

Canon EOS M Compact System Camera – Body Only (Silver)

Canon EF-M 18-55mm f3.5-5.6 Image Stabilization STM Compact System Lens

Rode VideoMicro Compact On-Camera Microphone with Rycote Lyre Shock Mount

Viltrox DC-70 Clip-on Color 7” TFT LCD HD Monitor HDMI AV Input 1280 * 800 for Sony,Canon,Nikon DSLR Camera Camcorder

My Kit:

You don’t need an expensive camera to get great shots.
Top question that most famous YouTubers get asked ….what gear do you use. I’m here to show you it’s not about the gear….. In these tutorials, I’m going to show you how to be better at mobile photography using mobile apps for editing on your cell phone.

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🔴My equipment (Amazon Associates links)
Moza AirCross 2

🔴My equipment (Amazon Associates links)

Neewer 58MM Neutral Density ND2 ND4 ND8 ND16 Filter and Accessory Kit for Canon EOS Rebel T6i T6 T5i T5 T4i T3i SL1 DSLR Camera, Lens Pen, Filter pouch included

Neewer 20 Pieces Anodized Black Metal Stepping Adapter Ring Kit: 10 Pieces Step-up Adapter Ring Set and 10 Pieces Step-down Adapter Ring Set

ULANZI U Rig Pro Smartphone Video Rig, Filmmaking Case, Phone Video Stabilizer Grip Tripod Mount for Videomaker Film-Maker Videographer for iPhone Xs XS Max XR iPhone X 8 Plus Samsung

Beastgrip Universal Lens Adapter & Rig System for Smartphones

Universal Gimbal Counterweight Counter Weights Support 84g Compatible for Zhiyun Smooth 4 Q/Feiyu Vimble 2 / DJI Ronin S SC/DJI Osmo Mobile 3 2 and Other Smartphone Gimbal Stabilizer with 6 Weights

🔴Fomito 11″ inch Articulating Magic Arm + Super Clamp for Camera, LCD Monitor, LED Video Light

🔴Zhiyun Crane V2

🔴SHOOTSelfie [Chargeable][No Battery required] Clip on Selfie Ring Light 36 LED Portable Fill Light for iPhone 7 plus Samsung HTC and all Smart Phone Accessories

🔴Zhiyun Smooth-Q 3 Axis Handheld Gimbal for Smartphone Up to 6″

🔴Wogiz Cinema Mount Professional Smartphone Stabilizer Rig Mount with Grip & 0.45X Super Wide Angle Macro Lens for Smartphones (Black)

🔴Rode SC3 3.5mm TRRS to TRS Adaptor
by Rode
Link:

🔴Rode VideoMicro Compact On-Camera Microphone with Rycote Lyre Shock Mount
Link:

Edited in Adobe Premiere CC
#filmmakers #firewrokapp #tiltshot
#mobilefilmmaking #cellphonefilming #filming #vlogger #Osaka #japan #cinematography #cellphonefilming #artlist

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